Andrew Lawrence-King, The Harp Consort

& Il Corago: 2014 report

Looking Bach on 2014 

Events marked CHE are linked to Andrew Lawrence-King's investigations into Early Opera, Historical Action, and Music & Consciousness as Senior Visiting Research Fellow for the Australian Research Council's Centre of Excellence for the History of Emotions (CHE).

 

 

More about CHE here.

7th December 2013 

St Petersburg Philharmonic

CHE

 

Stefano Landi La morte d'Orfeo (1619)

First staged production in modern times

 

International Baroque Opera Studio

with Renaissance Dance Ensemble Il Vento del Tempo

 

Director (stage & music): Andrew Lawrence-King

Co-Director of Music:  Xavier Diaz Latorre

Assistant Producer: Katerina Antonenko

Choreograper: Ekaterina Mikhaylova-Smolnyakova 

Designer: Daniil Vedernikov

Lighting: Ekaterina Aronova

 

New Edition by Andrew Lawrence-King

 

LINKED EVENTS

28th November Master-Classes with XDL & ALK

 

29th November

CHE Public Lectures & Workshops with ALK

Text, Rhythm, Action!

 

30th November  Public Workshops:

Italian Court Dancing with DV & EA

CHE The Four Humours with ALK

CHE Italian 17th-century swordsmanship  

with Anton Semenov & ALK

 

TV & radio interviews etc

 

Read an illustrated report here.

 

Read even more about La Morte d'Orfeo here...

 

23rd January 2014  

Kotka Konserttitalo

 

24th January 2014

Kuusankoski Talo

 

Johann Sebastian Bach The Six Brandenburg Concertos

 

Kymi Sinfonietta

Raymond Cox - violin, violino piccolo, viola

Andrew Lawrence-King - harpsichord, director

 

These concerts marked the culmination of a six-year project performing each Brandenburg concerto in period context, with accompanying lectures. They also formed part of the celebrations of the orchestra's 15-year anniversary.

 

Read more here.

 

LINKED EVENTS

 

CHE

23rd & 24th January Pre-concert lectures:

The Harmony of the World

Prof Dr Andrew Lawrence-King

Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

 

 

 

 

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Christian Ludwig Markgraf von Brandenburg

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Erickson on Bach

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27th February 2014  

School of European Swordsmanship, Helsinki

 

More about the School of European Swordsmanship, here 

 

CHE

Studying with Guy Windsor

Italian 17th-century Rapier & 'The Zone'

 

More about Guy Windsor here

 

 

 

 

1st & 2nd February 2014  

Theatre Natalya Satz, Moscow 

 

CHE

Emilio de' Cavalieri Anima e Corpo (1600)

Игра о Душе и Теле

 

This prize-winning production continues in its third season. By the end of 2014, we had clocked up 39 performances. But as the year began, our efforts were focussed on incorporating the Theatre's brand-new Chorus into the production. 

 

Program note here

23rd February 2014  

School of European Swordsmanship, Helsinki 

 

CHE

Seminar with  Guy Windsor:

Italian 17th-century Rapier - Giganti Libro II

 

26th February 2014  

Orpheus Research Centre in Music, Ghent 

 

CHE Conference Presentation

Beware the Power of the Dark Side! Beyond Control in Baroque Opera

 

Andrew Lawrence-King

Australian Centre for the History of Emotions

 

Abstract here

 

The complete text will be published on Andrew's blog, here,  soon.

28th February 2014  

Seattle

 

1st March 2014

Berkeley

 

2nd March 2014

Disney Centre, Los Angeles

 

Folias Criollas with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Spanish Baroque harp

9th March 2014  

Yale Centre for British Art

CHE

 

David & the Dragon Harp: Music of the Welsh Baroque Bards

Andrew Lawrence-King - Baroque triple harp

 

Program & notes here

 

CHE Article by Andrew Lawrence-King

The Triple or Modern Welsh Harp here

 

 

22nd & 23rd March 2014  

Theatre Natalya Satz, Moscow 

 

CHE

Emilio de' Cavalieri Anima e Corpo (1600)

Игра о Душе и Теле

 

Director of Music - Andrew Lawrence-King

Producer - Georgy Isaakian

 

 

29th March 2014  

Zamora Festival of Early Music

 

Folias & Canarios with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King Spanish Baroque harp

 

 

29th March 2014  

Seville Festival of Early Music FEMAS

 

Folias & Canarios with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King Spanish Baroque harp

5th-9th April 2014  

Edinburgh International Harp Festival

CHE

 

6th April

Chorégraphie  with The Harp Consort

Karen Modigh - Dancer

Andrew Lawrence-King Baroque triple harp

 

LINKED EVENTS

5th-9th April 2014 Master-Classes with ALK:

CHE Playford's Country Dances:

 

Celtic Choreography meets European Elegance

CHE The Noble Art of French Dance

 

7th April 2014 Public Workshop with KM & ALK

CHE Il Corago: Action! Action! Action!

 

Read more here.

 

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12th April 2014  

Herz Jesu Kirche, Buchs (Switzerland) 

 

Mare Nostrum with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Renaissance Harp, Psaltery

 

LINKED EVENTS

Interview & performance for forthcoming film with

Scuola Vivante, Buchs

16th April 2014  

Festival Mysteria Paschaliae, Krakow

 

Erasmus: In Praise of Folly [Stultitiae Laus]

with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Spanish baroque harp, Renaissance Harp, Medieval Harp, Psaltery

 

LINKED EVENTS

Radio broadcast

20th April 2014  

Sydney Opera House, Opera Hall

 

22nd & 23rd April 2014

Melbourne Recital Centre, Elisabeth Murdoch Hall

 

26th April 2014

Esplanade Hall, Singapore

 

Jerusalem: City of Two Peaces

with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Medieval Harp, Psaltery

 

LINKED EVENTS

Radio broadcast

 

CHE Lecture 

A Baroque History of Time: Hearts, Stars & the first operas

Prof Dr Andrew Lawrence-King

Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

16th & 17th May 2014  

Theatre Natalya Satz, Moscow 

 

CHE

Emilio de' Cavalieri Anima e Corpo (1600)

Игра о Душе и Теле

 

Director of Music - Andrew Lawrence-King

Producer - Georgy Isaakian

 

23rd-25th May 2014  

School of European Swordmanship, Helsinki

 

CHE Italian 17th-century Rapier

Classes with Guy Windsor

Seminar with Devon Boorman, read more here

 

1st June 2014  

Lutheran Cathedral, Moscow

First ever performance in Russia

 

CHE Claudio Monteverdi Vespers (1610)

Alta Capella, Moscow directed by Andrew Lawrence-King

 

LINKED EVENTS

 

CHE Public Lecture:

The Right Time for a New Vision

Prof Dr Andrew Lawrence-King

Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

CHE Article by Andrew Lawrence-King 

The Right Time for a New Vision: Monteverdi's 1610 Vespers here

 

CHE New 'synoptic' performing edition

 

TV interviews

Radio broadcast

 

CHE Read program note here

 

CHE Article by Andrew Lawrence-King

Sparrow-flavoured soup, or What is Continuo? here

 

 

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3rd June 2014  

Maguelone Cathedral, France 

 

The Celtic Viol with Jordi Savall & Frank McGuire

Andrew Lawrence-King baroque Irish harp, psaltery

 

CHE Article by Andrew Lawrence-King

The Researcher's Otherworld: A dream of the ancient Irish harp

here

 

[This is a light-hearted introduction to a multi-authored formal article on the early history of the Irish harp, to be published in 2015.]

 

 

 

10th-12th June 2014  

University of Western Australia, Perth

 

Travel funded by CHE Conference presentation:

Inexplicable Dumb Shows and Noise: Languages of Emotion in Early Opera 

Andrew Lawrence-King

Senior Visiting Research Fellow, ARC Centre for the History of Emotions 

Read it here 

 

LINKED EVENTS

CHE To Sing or not to Sing: Samuel Pepys' Songbooks

Andrew Lawrence-King and Stephen Grant investigate music collected by the famous diarist, including a setting of the famous soliloquoy from Hamlet 'To be or not to be' for recording in 2015.

 

More about the Pepys Songs project here

30th June 2014  

Styriarte Festival, Graz 

 

Celtic Landscapes with Jordi Savall & Tristan Rosenstock

Andrew Lawrence-King baroque Irish harp, psaltery

 

Article by Andrew Lawrence-King

Historical Techniques for Early Irish harps here

2nd July 2014  

International Harp Festival, Carde na Cruite, Termonfeckin 

 

Carolan's Harp 

Andrew Lawrence-King baroque Irish harp, psaltery

 

Program and note here

 

More about ALK at Termonfeckin here

 

 

LINKED EVENTS

CHE The good, the bad, and the wildly luxuriant

Historically Informed Harping circa 1700

Prof Dr Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

CHE Articles by Andrew Lawrence-King:

 

Irish Harp Ornament #1 The Long Shake  here

 

Irish Harp Ornament #2 The Cadential Shake  here

 

Irish Harp Ornament #3 The Triple Shake  here

 

Irish Harp Ornament #4 Striking Upwards here

11th July 2014  

Old Town Hall, Riga 

 

CHE Mr Priest's Triumphing Dance

Steven Player - baroque guitar, dance

Sinfonietta Riga

Andrew Lawrence-King - director, harp, harpsichord

 

Program and note here

 

LINKED EVENTS

Radio interview

Radio broadcast  

 

 

 

 

12th July 2014  

Rencontres Internationales de Harpe Celtique, Dinan

 

 

CHE El Maestro del Norte

140 years of dance-music, tientos & chansons

from Spain, Portugal and South America

Andrew Lawrence-King - Spanish baroque harp

 

Program and note here

17th July 2014  

Festival de Fontfroide, Narbonne

 

 

 Music for El Greco with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Psaltery, Renaissance harp,

Spanish baroque harp

 

LINKED EVENTS

TV & Radio broadcasts

CD forthcoming

18th July 2014  

CMPCP Performance Studies Network 3rd International Conference, Cambridge University

 

CHE Conference Presentation

A seicento sense of Humour: wine, women & song in Landi's 'La Morte d'Orfeo' (1619)

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

Abstract here

 

LINKED EVENTS

 

CHE This event was the third and final conference of the UK Arts & Humanties Research Council's Centre for Musical Performance as Creative Practice, at Cambridge University. ALK presented on CHE topics at all three conferences: Monteverdi's Orfeo in 2011, Monteverdi Combattimento in 2013, Landi's La Morte d'Orfeo in 2014 (more on Landi at the top of this page). 

 

CHE Article by Andrew Lawrence-King

Flow 2014: The Cambridge Talks here

 

More on The Flow Zone here.

 

 

23rd-25th July 2014  

The World Harp Congress, Sydney 

Travel and harp transport funded by CHE

 

23rd July 2014

World Harp Congress, Sydney

CHE Panel Discussion Shaping the Modern: What is the Meaning of Historically Informed Performance

with Judy Kadar, Alex Cronin, Maria Cleary, Ann Heymann

chaired by Andrew Lawrence-King

 

The Chairman's Script here

[Please note that the actual discussion led spontaneously in other directions]

 

24th July 2014

City Recital Hall, Sydney

 

IN MEMORIAM
PHILIPPA MADDERN Founding Director of CHE

& PAT O'BRIEN Lute-guru & Founder Member of THC

 

Read about Philippa Maddern here

 

Read about Pat here

 

CHE El Maestro del Norte

140 years of dance-music, chansons & tientos

from Spain, Portugal & South America

The World Harp Consort

Andrew Lawrence-King - director, Spanish baroque harp 

 

Program and note here

 

25th July 2014

World Harp Congress, Sydney

CHE   Public Lecture

How did it feel? A history of Heaven, Harps & Hearts

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

Article by Andrew Lawrence-King 

How did it feel? A history of Heaven, Harps & Hearts here

 

28th July 2014

World Harp Congress, Sydney Conservatorium of Music

CHE Workshop The Good, the Bad & The Dissonant

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

 

 

 

 

 

  

 

 

 

 

Xacaras from Luz y norte

29th July 2014  

Sydney University

Travel funded by CHE 

 

CHE Research Approaches & History of Performance

Study day with Una McIlvenna, Mary Luckhurst, Laura Ginters, Glen McGillivray, Penelope Woods, Bridget Escolme, Alan Maddox, Andrew Lawrence-King  and others. 

 

Flyer here

30th & 31st July 2014  

Melbourne Early Music Studio

Travel funded by CHE 

 

CHE To Sing or not to Sing: Samuel Pepys Songbooks 

Planning, research & study with Stephen Grant & Andrew Lawrence-King

1st August 2014  

Sydney Conservatorium of Music

Travel funded by CHE 

 

CHE Text, Rhythm, Action! New priorities for 17th-ccentury music-drama 

Workshop with Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions.

 

Read about the Text, Rhythm, Action! research project here

4th August 2014  

Le Pont Chaumes, Switzerland

 

Celtic Viol with Jordi Savall 

Andrew Lawrence-King, baroque Irish harp, psaltery 

13th-15th August 2014  

Kilkenny Music School, Kilkenny

Scoil na gCláirseach

The summer school of the Historical Harp Society of Ireland

 

13th August 2014

 

IN MEMORIAM PAT O'BRIEN 

Read about Pat here

 

Irish Images, Highland Humours

 

Andrew Lawrence-King, baroque Irish harp, psaltery

Concert program & note here

 

14th August 2014

CHE Humouring the Harp: Where are the Emotions circa 1700?

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

More about ALK at Scoil 2014 here

 

LINKED EVENTS

Classes & Master-classes

 

CHE Articles by Andrew Lawrence-King:

Regina Cithararum: The Cloyne, or Dalway harp here

 

Precision tuning and Early Irish Harps here

16th August 2014  

Monasterio de Poblet, Catalunya

 

 Music for El Greco with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Spanish baroque harp, renaissance harp, psaltery

 

LINKED EVENTS

Radio broadcast

18th-20th August 2014

Early Music Festival of the Pyrenees FEMAP

 

18th August 2014  

Puigcerda

 

19th August 2014

El Seu d'Urgell Cathedral

 

20th August 2014

Sort

 

Celtic Viol with Jordi Savall & Frank McGuire

Andrew Lawrence-King - Irish baroque harp, psaltery

25th August 2014  

Abbaye de St Georges, St Martin de Boscherville

 

Celtic Viol with Jordi Savall & Frank McGuire

Andrew Lawrence-King - Irish baroque harp, psaltery

26th August 2014  

Eglise de Maroeuil, Arras

 

Celtic Viol with Jordi Savall

Andrew Lawrence-King - Irish baroque harp, psaltery

5th September 2014  

MIMO Festival

Egreja da Sé, Olinda, Brazil 

 

Il dialogo de las almas with Jordi Savall & Enrique Solinis

Andrew Lawrence-King - Spanish baroque harp, psaltery

 

LINKED EVENTS

Concert relayed live on screen to the square outside

20th September 2014  

Birkbeck College, University of London

 

CHE Advanced Hypnosis CPD Course with Paul Byrne

24th-27th September 2014  

Music-Institute for Performance Practice

Kloster Michaelstein, Blankenburg

 

More about Kloster Michaelstein here

 

CHE ARPANETTA PROJECT 

 

The arpanetta also known as Spitzharfe or Tisch-harfe was a popular domestic instrument in the 17th and 18th centuries, 'the upright piano of the baroque'. More about the arpanetta here.

 

The Museum at Kloster Michaelstein displays a surviving original arpanetta. As part of the project to provide recorded audio examples for each instrument in the collection, the Michaelstein Music Institute for Performance Studies  funded a concert and recording.  For these performances, Katerina Antonenko restored, adjusted and restrung the instrument constructed by Roger Rose twenty years ago, a copy of a surviving original in the Victoria & Albert Museum, London.

 

CONCERT

27 September 2014

Wenn das Glücke wetterwendig

Domestic Music from the time of Erlebach, Bach & Telemann 

 Ensemble Bell' Arte Salzburg directed by Annegret Siedel

Andrew Lawrence-King (baroque harp, arpanetta).

 

The performance included Erlebach's Ich stehe fest with arpanetta playing continuo and in the opening ritornello; Bach's Aria from the Goldberg Variations (arpanetta solo); and Telemann's cantata Die Liebe with arpanetta continuo. 

 

RECORDING

Philipp Heinrich Erlebach Ich stehe fest

Britta Schwarz - Alto

Ensemble Bell' Arte Salzburg directed by Annegret Siedel

featuring Andrew Lawrence-King - Arpanetta

 

Arpanetta by Roger Rose, restored by Katerina Antonenko

 

The recording will be presented in the Museum at Kloster Michaelstein, accompanying the exhibit of a surviving arpanetta.

The recording will also be included on a CD of audio examples of surviving instruments for future release. 

29th & 30th September 2014  

Sydney University

Travel funded by CHE

 

The Voice and Histories of Emotion

Read more about the conference here

 

Conference Presentation

Vox Dicentis, Musica Instrumentalis: Words outwith Song 

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

Abstract here

 

Panel Discussion

To Sing or not to Sing: Questions about Samuel Pepy's Three Songbooks

Chairman Andrew Lawrence-King

Abstract here

2nd-5th October 2014

Melbourne

 

CHE Research Team-work

To Sing or not to Sing: Samuel Pepys' Songbooks

ALK with Stephen Grant and Sam Cohen

 

In his 1666 portrait, Samuel Pepys holds a copy of his own composition, Beauty retire. His songbooks, from the 1680s, preserve a later re-writing of the song with a figured bass. They also offer a new setting with guitar accompaniment, by Pepys' household musician, Cesare Morelli. 

10th-11th October 2014

Pariser Hoftheater, Wiesbaden

 

CHE IL CORAGO WORKSHOP

with Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

Friday 10th

CHE Masterclasses with ALK

The Good, the Bad & the Ugly: Italian technique & style

Article The Good, the Bad & the Early Music Phrase here

 

Luz y norte: Spanish technique & style

 

Workshop on Medieval & early Irish Improvisation

 

Concert La Cetera d'Or & El Maestro del Norte

Andrew Lawrence-King - Early Harps

Interval Talk by Rainer Thurau

Concert program here

 

Saturday 11th

CHE Master-Class with ALK

Continuo for Italian early seicento

 

CHE Master-Class with ALK

Action: more than just Baroque Gesture

 

More about Historical Action here

 

CHE Workshop 

La Musica hypnotises the Heroes

 

CHE Article by ALK

The Theatre of Dreams: 

La Musica hypnotises the Heroes here 

 

CHE Lecture

Accessing Super-Creativity: May the Flow be with you!

 

More about Flow here

 

Master-class

Le Grand Secret: 18th-century technique & style

 

CHE Article by Andrew Lawrence-King

Single-Action Harp: Making Sensibility of the Methodes here

12th October 2014  

Philharmonie Essen

 

Erasmus: In Praise of Folly

with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King - Spanish baroque harp, renaissance harp, medieval harp psaltery

13th October 2014  

Teatr Maly, Tychy

 

The Celtic Viol with Jordi Savall & Tristan Rosenstock

Andrew Lawrence-King - Irish baroque harp, psaltery

 

Discography of ALK's recordings with early Irish harps here

24th October 2014  

Escuela Superior de Música de Catalunya, Barcelona

 

CHE Workshop: IBaroque Gesture: What's the Point?

Andrew Lawrence-King - Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

The participants in this Workshop were advanced students (most of them Early Music specialists) and Professorial staff of ESMUC, many of them involved with the School's forthcoming production of Monteverdi's Orfeo directed by Prof Xavier Diaz LaTorre.

 

More about the ESMUC workshop here 

AN EXPLORER'S GUIDE TO HISTORICAL ACTION

 

  1. Contraposto:  stand diagonally on, weight on one foot

  2. Gesture with the Right Hand (hold any music in the left)

  3. Create a mental Vision of the words you are saying

  4. Point at what you 'see' in this Vision

  5. Use specific gestures for particular words

  6. Otherwise use Default Gesture

  7. Allow the affetto of the words to enter your gesture

  8. Root gestures through the body and into the floor

 

More about Historical Action here

 

Il Corago website here

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28th October 2014 

Auditorio Nacional, Madrid

 

Music for El Greco with Hesperion XXI directed by Jordi Savall

Andrew Lawrence-King, Spanish baroque harp, renaissance harp, medieval harp, psaltery 

 

LINKED EVENTS

TV Broadcast 

 

Forthcoming CD

18th October 2014 

Royal Danish Conservatory of Music, Denmark 

 

CHE Public Lecture A Baroque History of Time

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions 

 

CHE Public Master-Class Where's the Emotion

 

CHE Articles by ALK:

 

A Baroque History of Time: Stars, Hearts and Music here

 

 

Music expresses Emotions? here

 

Rhythm: what really counts? here

 

 

28th & 29th November  2014 

Theatre Natalya Satz, Moscow

 

CHE Cavalieri Anima e Corpo (1600) 

Georgy Isaakian - Stage Director

Andrew Lawrence-King - Director of Music

30th November  2014 

Theatre Natalya Satz, Moscow

 

CHE Workshop He is the Father, we are the Children

J.S. Bach, C.P.E. Bach, W.A. Mozart 

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

4th December 2014 

Guildhall School of Music & Drama, London

 

CHE Research Seminar The Theatre of Dreams: Music & Consciousness; Flow, Hypnotism & The First Operas

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

CHE Article by ALK

Flow (Accessing Super-Creativity): Making Connections here

 

CHE Article by ALK

The Theatre of Dreams: La Musica hypnotises the Heroes here

 

More on Flow and The Zone here

INTRODUCTIONS

 

FLOW & THE ZONE

 

  1. Flow (aka The Zone) is that optimal state of concentration & relaxation

  2. Flow is an Altered State of Consciousness for optimal learning: The Zone is an Altered State of Consciousness for high performance

  3. Flow & The Zone are associated with Time Distortion in Hypnosis.

 

HYPNOTISM

 

  1. Dreaming is associated with the REM-state of sleep

  2. About 40,000 years ago, humans evolved to access the REM-state whilst waking, in day-dreams, trance etc

  3. Trance is a naturally-occuring state that we experience every day

 

THE FIRST OPERAS

 

  1. Circa 1600, performers moved their audiences' passions by means of what we would now call Hypnotism

  2. Of course, every fine performer enchants their audience...

  3. But ALK's research shows precisely how the magic works

 

FLOW, HYPNOTISM & THE FIRST OPERAS

 

  1. Hypnotism is (usually) a mutual, consensual process

  2. Whilst the audience suspend their disbelief and become entranced, in Flow... 

  3. The performer enters a complementary state, The Zone.

5th December 2014 

Wigmore Hall, London

 

Folias Criollas with Hesperion XXI, directed by Jordi Savall

Andrew Lawrence-King, Spanish baroque harp 

7th December 2014 

Lucerne

 

Folias Criollas with Hesperion XXI, directed by Jordi Savall

Andrew Lawrence-King, Spanish baroque harp 

8th December 2014 

Conservatorio della Svizzera Italiana, Lugano

 

CHE Seminar & Master-Class Redefining Recitative 

Andrew Lawrence-King, Senior Visiting Research Fellow, ARC Centre for the History of Emotions

 

More about Redefining Recitative here 

 

LINKED EVENT

 

CHE Planning for 2015 research project Vada a bordo...canto

with Prof Giulia Nuti (Lugano Conservatorio)

 

 

13th December 2014 

Georgian Society, Edinburgh

 

Deo Gracias Anglia: The Trinity Carol Roll

with Alamire directed by David Skinner

Andrew Lawrence-King, Renaissance harp, Early Irish Harp, Psaltery